Serioussé’ri-as,
adj grave; in earnest; disinclined to lightness of mood; not to be
taken lightly; showing firmness of intention or commitment; approaching
the critical or dangerous; concerned with weighty matters; significant;
notable, or in significant quantities, as in serious money (colloq).
advse’riously in as serious manner; extremely, as in
seriously rich (colloq).
Groovegrõõv, n
in a furrow, or long hollow, usu one cut with a tool; the track cut
into the surface of a record, along which the needle of the record-player
moves; a set routine; an exalted mood, ones highest form (slang); a
pleasurable or groovy experience; to experience great pleasure; to be
groovy. adjgroov’y in top form, or in perfect condition; up
to date in style, or generally pleasant or delightful.
A&R Tips...
Hi, we’re the
Bastard Brothers and we’re here to terrorise you innocent Bands and
Musicians out there.
We thought we would put together a few tips on presenting your
demos to us (and others). Be warned - we do not return any material you send! Read on …
OK, so you can find lots of pages of information and advice on presenting demos
to music companies aimed at helping you bag that elusive deal.
Q: So why another?
A: Because very few of them are in the words of the label itself.
The advice you very rarely get is the thoughts from the people
responsible for rejecting all those great demos the A&R and thats US! J
My names Scottie Louden, and Im one of the above mentioned Bastard
Brothers. I have the dubious pleasure of reviewing some of the stuff that comes in
for consideration to Seriously Groovy Records, a job that a friend once
perfectly described after doing it for themselves as 'brutal'. I also
have an obviously fictitious name.
Anyway, here is our side of
story. We had hoped to develop these pages into a useful and amusing reference for all
bands looking for deals from us or other labels, but at the moment this is still
a hope. In the meantime, heres some
food for thought:
This page was last edited
27/05/05
First, make sure you know what you want to get out of sending
in a demo.
Think this through carefully. It might seem like an obvious suggestion,
but we often get confused as to what bands want from us apart from £1,000,000.
For example, if what you are really looking for is someone to say "youre
gggggggggreat" you should send your stuff to your mates. They make a much
more appreciative audience.
To give you another example people often present material to us and only
ask us for the advice we can give. Whilst this may is flattering and understandable, this should not be the reason you go to the trouble of sending stuff
out. (Anyway, you are already getting our best advice here).
When choosing which tracks to send, chose the ones that you are into the
most. Its also worth trying to make sure that they are representative of the
rest of your material. Recently a band we liked sounded really promising on a
promotional CD compilation, but when we heard the rest of the stuff You guessed
it It was completely, I mean TOTALLY different!
Please send only 3 tracks. Strangely we find this is the most frequently
ignored tip, yet one of the easiest to follow. Maybe send 4 tracks if they are very
short, but stick to 3 if possible. We can always ask you for more material if we
wish. OK, send us your CD album if you must. You are going to anyway.
Think carefully about your name. Your name is a major part of your
image. It identifies you. A good name can make it a lot easier to make
things happen. Here are some real life examples of names that we feel 'could
be better'
The Buffleheads(Ok, not so bad)
Kipper Guppies(fish anyone?)
Fat Shaft(I know I am)
Squid Virtual(fish seems a recurring theme here)
The Naz (*Fact* I know this to be an Indian restaurant in Manchester!)
Yes, these are real Artists that have recently sent packages to
us. What do you think they might sound like? Do
you think you might be into their stuff on the strength of their name? Would you now go out of the way to hear them?
OK, so now you would.
Consider you logo. It could also be giving out the wrong
impression. Test it out with others to get their reaction. It may be
totally different to what you expect. Perhaps compare your logo against
the others. You want us to get the right idea of what your band or music
is about don’t you?
Include a photo. When you meet someone in the street or down the pub they
get a chance to look into your face. So dont be shy. We need to 'cop an
eyeful' of you at some point. Actually, its useful to be able to recognise you
so that we hand your royalty cheque to the right person.
Perhaps also think through your photo and the image of your band
in general. Again, it might not be giving out the right message to others.
As with your logo, why not get your friend’s reaction to it. Remember,
when you present a photo to us, you are not just showing us how you see
yourself, you are also showing us how you want others to see you. If your
thing is Heavy Metal Cock Rock then you’re a loser if you look like ABBA.
OK, so The Darkness have now proved me wrong on this point.
Do some research on us. A few minutes spent
browsing our pages will show you that we DO NOT deal in Folk
Music, Hip-Hop, Classical, Rap, American Country, Cover Bands, Singer Songwriters, World
Music, Commercial Chart Entry Pop Music, Funk, R'n'B, Instrumental Music or Love
Songs. We DO NOT have opportunities for session musicians
and we DO NOT need 1 song offers from songwriters. Listen
to our audio files - maybe even mail-order a CD, but try to get a feel for what we do and
if we might suit you.
Remember to put your name, address and phone number clearly on your CD
or tape as well as on the letter and biog that you send with it. You see, things can
therefore do get separated. It's 'sod's law'. Would you believe we
actually have demo's we would like to follow up but can't , because we don't know who
sent them!!
By the way, if you leave your address and/or email off we will not
respond. We find that being able to reject people in writing makes our job a lot more
pleasant. Having to make a call to reject someone because we only have their phone number
is a total pain in the arse.
DO NOT send packages to us by
registered post or recorded delivery that we have to sign for. This is a total
wind-up. We always miss the first delivery at 8.30am and are forced to go to the
sorting office with proof of id. All we get rewarded with is a couple of packages that
when opened smell of stale cigarette smoke and beer. It is even more disappointing when we
find both of them contain CD-Rs with the next Save The World sung by one
person with an acoustic guitar. This is totally inappropriate for us! But, you know the
weirdest thing? It's that all the packages sent on a proof of deliver service
contain a CD-R with the next Save The World! We reckon that its the same
person sending these packages. Believe me, only the crappest stuff seems to be sent
to be signed for.
If you want some security that your package arrived, put your return address on
the outside. It's cheaper. And, if Postman Pat can't deliver it, you get your stuff
back J.
*Please note, we DO NOT normally return
any material submitted to us. Should you want us to return your demo, you must
enclose a postage paid self addressed envelope*
Despite what you may believe, we DO NOT care if your demo is recorded in the
best studio or on the magnetic strip of a credit card (mind you, we cant play
one of those). We DO NOT care if your CV is in colour, B&W or if your photo is
from a disposable camera. We only consider if it 'works'.
In Soho we are constantly confronted by some of the very best imagery and art
& design. As a Record Label we get presented with new stuff from many
top Artists that is recorded in the best studios. Believe me when I say we have been
there, done that and bought the T-shirt. So don't try to compete. Instead, try
to demonstrate your talent, confidence, vision, personality, charisma and all that other
stuff thats hard to put your finger on. If you find it difficult to sort out
your logo and artwork then leave those bits, and simply rely on your music
to get the message
across. You are asking us to consider whether we feel able to work with you for
some time to come. You are not actually trying to prove how much you spent on
your tape, or how perfectly recorded the keyboard is, or how little hiss you're getting
from your £10,000 eight track sound card.
Here is a thought to leave you with. We really do want to hear great and
inventive material. We spend a lot more of our lives devoted to this than many of the
bands out there. If you produce great music, then we really do want to hear from
you. Please send your material to the Postal
Address on our about page.
If you would like to send stuff over the net, please use this email
address: anr at seriously groovy . com (no spaces of course) - material sent to other email
boxes is ignored.
However, please realise that as email submission seems to be easier than going
to the post office, it also means that we are inundated with emails to a&r, and
therefore it may take us a lot longer to get back to you than via the traditional method.
To help us to help you, please be lean with your audio files. If they take too long to
download, they hang up our machines and we have no choice but to auto-reject them.
A link to your file is much better, but check it works first, eh!
Its your shout
Let us know what you hope to have happen as a result of sending your tapes
out or what frustrates you the most about presenting your stuff to the music
industry. We would be fascinated to hear from you. Drop a note to us.
The details are on on our about page.
Please note: We are currently looking for new Artists
and do accept unsolicited demos!
We also accept payment by Postal Order or by Cheque
Send mail to
webmaster at seriouslygroovy.com with
questions or comments about this web site. Last modified:
December 05, 2004